March 31, 2017
Read more: http://www.cnn.com/2017/03/30/cnn10/ten-content-fri/index.html
March 31, 2017
Read more: http://www.cnn.com/2017/03/30/cnn10/ten-content-fri/index.html
You could never call Nelly Furtados career consistent, but it has been consistently surprising: from the chillout pop of her breakout hit from 2000, Im Like a Bird, to the sexpot grind of Maneater, the Spanish-language album Mi Plan and 2012s divisive alt-pop outing The Spirit Indestructible. Her comeback is certainly an unexpected ride, bumpily rollercoastering on John Congletons eager production, which can tend to be overpowering and overcomplicated. Theres more of the jerky funk sound he created for St Vincent on the opener here Cold Hard Truth, a Gary Numan-does-Goldfrapp feel on Paris Sun, and hints of Sufjan Stevens on Magic; its difficult to avoid making endless comparisons when an album feels so miserably storyboarded the sad fallout of commercial pop that just patchworks trendy styles together. But at least The Rise does so with zeal, and slinky distorto-pop number Right Road hints at something less contrived. Next time, though, Ill get off at the first stop.
Good news,Drive fans: Your boy’s back, but with a TV show this time.
Amazon Studios announced this week that it’s ordered a 10-episode season of a show called Too Old to Die Young fromDrivedirectorNicolas Winding Refn, and every episode will be directed by the man himself. Hunky-in-a-casual-way actorMiles Teller is set to star, which certainly sounds like the formula Refn used tolaunchRyan Gosling from rom-com heartthrob to aspirational bad boy.
Teller will play “a police officer entangled in the world of assassins,” a jump from his previous roles as high school students and sweet boys next door. The series takes place in Los Angeles and will explore its seedy underbelly“by following killers existential journeys in becoming samurai.” Cue tense ambient music and neon signs on empty nighttime streets. Also: samurai? Guess we’ll have to tune in to learn more.
Dear Friends… pic.twitter.com/U3tD8WCjNE
— Nicolas Winding Refn (@NicolasWR) March 30, 2017
.@Miles_Teller will star in @NicolasWRs upcoming #Amazon series "Too Old to Die Young." https://t.co/GmpHVS0Yod pic.twitter.com/4MyGaGwxHI
— IMDb (@IMDb) March 30, 2017
Im a huge fan of Nics work so the opportunity to work with him, and for a company like Amazon, with this type of material is very exciting, Teller said in astatement.
Westworld supervising producer Ed Brubaker is signed on to write the episodes, soit certainly sounds like Amazon has something moody and fun in the works. Now the question becomeswhether or not it canpull it off.
No information about when the episodes mightbe released has been announced yet.
H/T Variety
Read more: https://www.dailydot.com/upstream/miles-teller-amazon/
Detroit rapper Danny Brown released the Jonah Hill-directed, gory and satirical music videofor Aint It Funny on Wednesday. It’s a trip, and you’re going to want to see this.
Directed by @JonahHill, @xdannyxbrownx's new video for "Ain't It Funny" is anything but… well, funny. https://t.co/PK9Q6qgnFh pic.twitter.com/soMF7ttYfq
— 2DOPEBOYZ (@2DopeBoyz) March 29, 2017
The bizarro sitcom video stars Brown, director Gus Van Sant (Good Will Hunting) as the dad, and sitcom veteran Joanna Kerns (Growing Pains) as the mom. The ’80s-inspired clip also features Brown expressing that he has serious drug problems.
Also a Record Store Day release for this year, its the latest single from Browns critically acclaimed albumAtrocity Exhibition.
Brown has also been identified as the rapper whogot Dave Chappelle stoned in Detroit, which the comedian made a hilarious bit about in his recently released Netflix special.
It’s lit.
H/T XXL
Read more: https://www.dailydot.com/upstream/jonah-hill-danny-brown-aint-it-funny-video/
George Michael’s funeral has taken place, three months after his sudden death at the age of 53.
His family said a “small, private ceremony” on Wednesday was attended by “family and close friends”.
In the statement, they thanked his fans for “their many messages of love and support” following the funeral, thought to have been held in London.
Michael died of natural causes at his home in Goring-on-Thames, Oxfordshire, on Christmas Day.
The riverside cottage became a focus for fans’ grief in the days after he died, as did his home in Highgate, north London.
The full statement from Michael’s family read: “We can confirm that the funeral of the singer George Michael took place today. Family and close friends gathered for the small, private ceremony to say goodbye to their beloved son, brother and friend.
“George Michael’s family would like to thank his fans across the world for their many messages of love and support. We ask that the family’s wish for privacy be respected so that they can continue to live their lives privately, away from any media intrusion.”
Michael – whose full name was Georgios Kyriacos Panayiotou – first came to fame in the 1980s as a member of Wham! alongside Andrew Ridgeley.
The pair’s pop hits won them thousands of fans before Michael found solo success with hits including Faith and Careless Whisper.
He had a total of seven UK number one singles as a solo artist – including A Different Corner and Jesus to a Child – and the same number of chart-topping albums.
Michael also collaborated with artists including Aretha Franklin and Elton John.
Ridgeley has been among those to pay tribute to Michael during this year’s awards season.
Alongside Wham! backing singers Pepsi and Shirlie, he made a speech at the Brit Awards last month describing Michael as a “supernova”. His death “felt like the sky had fallen in”, he added.
At the Grammys, Adele sang a version of Michael’s 1996 hit Fastlove, as a video montage of the late singer was shown.
The coroner’s verdict on Michael’s death only came three weeks ago. Tests were ordered because an initial post-mortem examination was “inconclusive”.
Darren Salter, senior coroner for Oxfordshire, said the star had heart and liver disease.
Many of Michael’s fans took to social media and online forums to pay their respects again on Wednesday when news of his funeral emerged.
While he had mostly stayed out of the limelight in his final years, the singer had been collaborating with Naughty Boy, and producer Nile Rodgers said he had visited Michael’s home two days before his death to work on a project.
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Read more: http://www.bbc.co.uk/news/entertainment-arts-39434127
March 30, 2017
Read more: http://www.cnn.com/2017/03/29/cnn10/ten-content-thurs/index.html
More dancing drama!
ICYMI, DWTS pro Cheryl Burke was announced to take over for Abby Lee Miller for the remainder of this season of Dance Moms – something the outspoken TV personality definitely has an opinion about!
Speaking to Inside Edition for the first time since news broke of her replacement, the 50-year-old ranted:
“I am so excited that somebody else is going to get the experience to work with these ass-holes. [Burke] is skinny, hot. I’m sure they’re going to fawn all over her.”
Related: Maddie Ziegler Admits To Being ‘Stressed’ At 11
The dance instructor went on to tell ET:
“I think that’s greatI only met her once at a housewarming party a couple weeks ago. I’m glad that someone who has worked on a network show for as long as she has on Dancing With the Stars is going to see what I’ve been working with for seven years. I don’t think she’s replacing me, I think it’s going to be a different vibe.”
“Wait until Cheryl Burke deals with [no costume budget]I bet you she’s treated differently. I bet you the budget is completely different, and I bet you she is never driving her car, with her gas, getting parking tickets that she has to pay, walking up and down the streets looking for fabric on her feet.”
Miz Miller also made a point to clarify that it was the show runners — and not the possibility of her going to jail — that convinced her to quit:
“I chose to quit because I don’t want to fight for a great idea, I don’t want to fight for better music, I don’t want to fight for a bigger costume budget. [They] look at me like I was this down-and-out podunk dance teacher from Pittsburgh that they savedI think the word ‘respect,’ the word ‘trust,’ and the word ‘thank you’ was missing from my relationship with the production company.”
For more on Abby’s relationship with “Satan” (the nickname for her least favorite producer), tune into Inside Edition‘s full report tonight on CBS.
[Image via CBS.]
Read more: http://perezhilton.com/2017-03-29-abby-lee-miller-reacts-cheryl-burke-dance-moms
Like mother, like daughter!
Some of you may not know that before Friends, Courteney Cox got her start by appearing in Bruce Springsteen‘s music video for his classic hit Dancing in the Dark — which helped her land a role in Family Ties shortly after.
Now, her daughter Coco seems to be on the same path!
The 12-year-old made her own music video debut this week by starring alongside Matthew RC Taylor for indie pop artist MONOGEM‘s new song Wild!
Related: David Arquette Pays Tribute To Late Sister Alexis
The singer tells Ladygunn of the project:
“The video is a dreamy and colorful story about two best friends. I thought it would be interesting to create a visual showing two young teenagers getting wild in their own unique way. Amidst the kids’ smokey, neon reality, the boy is cross dressing for the first time in a safe and comfortable environment without any judgement. That is a beautiful thing. With all of the craziness going on in the world today, I felt compelled to deliver this message and lyric to our very important younger generation: ‘Life’s too short to not live wild.'”
Take a look at the kids’ crazy night together (below)!
One thing’s for sure, Coco’s dad David Arquette couldn’t be prouder:
So proud of my daughter Coco and her performance in the @monogem video link below…A post shared by David Arquette (@davidarquette) on Mar 28, 2017 at 10:19am PDT
Did U like the video?? SOUND OFF in the comments (below)!
Oh, and just for fun…
[Image via YouTube.]
Read more: http://perezhilton.com/2017-03-29-courteney-cox-coco-arquette-music-video-debut
John Legend knows love ballads are about the future… but how’s the La La Land star gonna be a revolutionary when he’s such a traditionalist?
By spontaneously playing his hits in public settings and sharing it with all of the internet, that’s how!
The Grammy-winning artist was in between taking trains across the U.K. on Wednesday when he made his way to the St. Pancras International train station’s piano to serenade the crowd!
Related: Don’t Fuck With Chrissy Teigen, Fox News!
Legend took over from whoever was playing background music and sang three of his songs for the passing travelers, including All of Me and his new single Surefire.
Ch-ch-check out the singer’s AH-Mazing mini-concert (below)!
[Image via Instagram.]
Read more: http://perezhilton.com/2017-03-29-john-legend-set-spontaneous-london-train-station-st-pancras-piano
Where is this Belfast boy now?
Photographer Eric Luke sometimes wonders about him.
He took this photo in 1977 when he travelled north from Dublin to cover the Queen’s Silver Jubilee visit for the Irish Press.
There was trouble that culminated in a street battle between rioters and the Army. The boy stands, hemmed in by police and soldiers, in the shadow of machine guns.
His earnest face struck a chord with the photographer.
“That trip was my baptism of fire,” said Luke. “There was a lock-down and there were a lot of protests.
“I was with (Irish Press photographer) Colman Doyle. I used to go to the north when I was off duty and cover events like the hunger strikes.”
In later days, there were more positive pictures – he came to Northern Ireland to cover visits from US President Bill Clinton and U2.
Eric Luke had a ringside seat on history unfolding. He was present for the great highs and deep lows in modern Ireland.
But he also has that yearning to record the everyday wonder of Irish life.
He started off with the Irish Press and then moved to the Irish Times. In a career of more than 40 years, he won many awards for his work.
But at the end of this week, Luke will be zipping up his camera bag and closing the door on the Times newspaper office for the last time.
The world of photography has changed utterly since he began his trade in the old days of the newspaper dark room.
It was a room that no-one entered without knocking. Photography was a dark art. Walk into the dark room and taste the sting of chemicals.
Watch a photographer butterflying fingers across the developing paper as it lies in its bath of developer and wonder as ghostly faces and familiar places emerge from the shadows to make a print.
Luke, from south Dublin, got his first job with the Irish Press in 1973 when he was 19 years old.
But he had fallen in love with photography long before that. He set up a dark room in his home when he was just a schoolboy and would go off to concerts, taking pictures of rock stars like Phil Lynott and Rory Gallagher, sending his work off to the papers.
In newspapers back then, there were no fast-track schemes. Would-be photographers started off at the bottom.
“The Irish Press brought me in to the dark room and that was how my apprenticeship began,” he said.
“But after a few months, it was straight in at the deep end. The Press had 17 staff photographers and 1,500 employees. There were three newspapers – morning, evening and Sunday – and there were six editions of the Evening Press.
“In ways, it was just like the internet now. We had strict time limits and deadlines to meet.”
The young photographer’s first big state diary marking was the inauguration of Irish President Patrick Hillery in 1976.
“A team of seven photographers were sent from the paper. As I was the most junior, I was basically put in what was deemed the poorest position, on a balcony facing a doorway.
“I would see the procession enter the courtyard before disappearing from view a few seconds later. In among all the dignitaries, I spotted his daughter, Vivienne. She popped her head out to see her dad, the new president of Ireland. I grabbed three frames and in the middle one, I got lucky.
“It was only for a fraction of a second, but it made for a really good picture. Back at the office, everyone was queuing up for the dark room. I went and pleaded to put my rolls in early and jump the queue. That was the picture of the day, the front page of the Evening Press.”
Sometimes, a picture is about being in the right place at the right time.
For Luke, that was what happened with the death of the Irish writer Francis Stuart in 2000. He was husband to Iseult Gonne, daughter of Maud Gonne – the woman who was a muse to W B Yeats.
He later married Finola Graham. He was 97 years old when he died.
“I had travelled to Clare to photograph the artist, Finola Graham, who was Stuart’s wife,” said Eric.
“When she opened the door, she said: ‘Francis has just died’.
“‘I will leave you to it,’ I said. But she said: ‘No, you must come in.’
“I asked was there anything I could do to help her… and she said: ‘We need to lay him out’.”
Luke helped her prepare her husband’s body, as she waited for family and friends to arrive. It would be a huge funeral. But Eric Luke had arrived in that little pause before the drama and the flurry of a funeral begins.
The scene was stark, sombre and compelling.
“There was a bare light bulb dangling from the ceiling. She had got out his books and his manuscripts. It looked like a backdrop from an Abbey Theatre set,” he said.
“Amazingly, just by the way it happened, I was there to photograph it.”
It was at another funeral, on a grander world stage, that Eric Luke took another picture to remember.
He travelled to India for Mother Teresa’s funeral in Calcutta. There had been some dispute between the state and the nuns about where she would be buried. The state favoured a more public grave, he said, but the nuns had their own ideas.
“I was fortunate in that some children brought me to a place away from the media, on to a roof top,” he said.
“The state was handing over her remains to the nuns. It was a very historic picture. The state wanted to put her in a big grave, but the nuns said she would be buried under the floor of the mother house.”
His photograph won him a prestigious World Press Photo News award.
Regular markings are part of the cut and thrust of a daily newspaper.
But the old easygoing world of concerts and music has been hijacked by protocol.
“I have been to a lot of concerts. Rory Gallagher played every venue, everywhere. I remember him at the old Carleton cinema in Dublin. You could just walk in, go straight up to the stage and take the pictures. Rory was this guy strolling about in his jeans and denim jacket – what a fantastic experience,” he said.
“Compare that to U2 who played at Belfast’s Odyssey in 2015. You need accreditation, you are told certain song numbers when you can take pictures, it is all very controlled.”
It’s that control that makes the job of finding that unusual picture all the more difficult.
It is the spontaneous look sideways or hand gesture that makes the story. In a strictly controlled environment, that is more difficult to clinch.
As a photographer, Luke has also often been drawn to the pictures of a life that is fading fast.
He is a social historian – taking moody shots of an old-style barber’s shop or capturing a saddle-maker’s shop in the week before the builders moved in to sweep it away and make room for a fancy juice bar.
There are some things he shall not miss about life as a press photographer.
“I won’t miss the paperwork or the doorsteps or the endless waiting about for hours for VIPs, followed by 30 seconds of taking pictures,” he said.
When Luke closes the door on Friday, he has other adventures planned.
He has a love of the islands around Ireland and wants to photograph ordinary people getting on with their lives, miles away from the press pack and the PR control.
“I think us photographers are all outdoor people, we have spent our lives outside,” he said.
He may have closed the door on the day job, but he will always be a photographer – just one with fewer deadlines and more time to gaze.
Read more: http://www.bbc.co.uk/news/uk-northern-ireland-39404391