From the beginning of their self-titled fifth album, its clear that TLC are keen to prove that they are, indeed, TLC. Understandably so, for the case against is convincing: this is the first album the band have released without any input from the late Lisa Left Eye Lopes, generally considered the trios creative nerve centre. The opener No Introduction a hyped-up list of their achievements, ironically enough might feel forced, but from then on the duo prove themselves more than capable custodians of the TLC brand.
Way Back sees T-Boz reprise the low, oddly flat vocal melodies that were such a satisfying part of the original recipe, while Haters and Perfect Girls both recall Unprettys rejection of cookie-cutter beauty. The effect is deeply nostalgic were it not for the nods to trap, it would feel like a time capsule but ultimately that familiarity is a testament to the albums quality. TLC are the second most successful girl group of all time (after the Spice Girls) and this record proves that their winning formula still works.
Read more: https://www.theguardian.com/music/2017/jun/30/tlc-tlc-review-cooking-vinyl