In the latest in our 10-part series, the films we are most looking forward to next year by the worlds most singular directors
Based on a True Story
Now 83, Roman Polanski remains firmly in the public eye, despite not having shot a film since 2013s ropy Venus in Fur. But Carnage, released a couple of years before that, suggested there was life and fire in the old genius yet, and this one has the great advantage of being scripted by Olivier Assayas. Another meta-fictional thriller in the mould of The Ghost Writer, this one stars Eva Green as a writer who becomes involved with an obsessive admirer.
Call Me By Your Name
Maybe the most intriguing among a strikingly tasty-looking bunch of Sundance titles, Luca Guadagninos latest may not feature Tilda Swinton, but it does look of a brilliant, shimmering kind with the likes of A Bigger Splash. Armie Hammer stars as an American academic who starts a summer love affair with an adolescent boy (Timothe Chalamet) while staying at his parents house on the Italian Riviera. Michael Stuhlbarg is the possibly spluttering papa.
The Death and Life of John F Donovan
Dont expect it to show up at Cannes no way, no how, not after what happened last time but still were reserving space for the latest by enfant terrible Xavier Dolan. Another English-language debut, this one stars Kit Harington as a rising US actor accused by gossip mag editor Jessica Chastain of being a paedophile. The supporting cast is as wow-y as that premise: Natalie Portman, Kathy Bates, Susan Sarandon, Michael Gambon.
Downsizing
Heres one that should make someone who, say, might be on maternity leave from March, feel really sore to miss: Alexander Paynes follow-up to the masterful Nebraska. And its his most ambitious to date: a sci-fi comedy drama starring Matt Damon and Kristen Wiig (subbing at the last minute for Reese Witherspoon) as a couple who voluntarily decide to be shrunk. But then she backs out at the last minute. Margo Martindale (star of Paynes fantastic Paris short), Jason Sudeikis, Alec Baldwin and Christoph Waltz co-star.
The Handmaiden
Heres the only one on this list any of us have seen already: Park Chan-wooks simmering adaptation of the Sarah Walters novel Fingersmith. It premiered at Cannes in May and was warmly received as one of the most erotic movies ever made.
Happy End
Michael Haneke and Isabelle Huppert reunite for his first film since Amour and hers since, well, the trio of brilliant hits she had this year. Details are sketchy, but we know it co-stars Amour lead Jean-Louis Trintignant as well as Mathieu Kassovitz, that it was shot in Paris, Calais and London, and that the migrant crisis might be a backdrop. Nous laimons dj.
The Killing of a Sacred Deer
The Lobster might not have picked up the acclaim it deserved but Colin Farrell is still in with a shot at the Golden Globes and its certainly upped Yorgos Lanthimoss profile in the US. Hopefully that bodes well for a great launch for this Cincinnati-set drama about a surgeon (Farrell, again) who forms a familial bond with a teenage boy, with apparently disastrous results. Nicole Kidman plays his wife; Alicia Silverstone crops up too, amazingly.
Lean on Pete
Of all the projects to follow 45 Years, Lean on Pete wasnt quite what we anticipated from Andrew Haigh. But whatever that fella dishes out, well take it. Lean on Pete is a racehorse; he and a 15-year-old take the trip from Portland, Oregon, to distant relatives in Wyoming. Steve Buscemi, Chloe Sevigny and Steve Zahn feature.
Mektoub Is Mektoub
The fallout from Abdellatif Kechiches 2013 Cannes win for Blue Is the Warmest Colour did not paint him in the rosiest light. This one is based on Antoine Bgaudeaus novel La blessure, la vraie, about a screenwriter whose personal and professional dealings intermingle during a visit to his hometown on the Mediterranean. Other than that, its a puzzle: the cast is a mystery, but were guessing well find our around late April, when the Cannes contenders are announced.
Metalhead
Its easy to see why Derek Cianfrance might want a change of direction. His last movie, The Light Between Oceans, was a bruising, heartfelt, 100-hankie weepie on which multiple critics poured scorn (leading to Cianfrances wife, no less, writing a letter of protest). The Blue Valentine director this time round is going down the quasi-documentary route with the story of a heavy metal drummer who blows his eardrums out and must learn to adapt to a world of silence.
Redoubtable
As one of the few people who liked The Search, Michel Hazanaviciuss follow-up proper to The Artist (never released in England due to the brutal festival reception), Im a nervous for and excited about this biopic of Jean-Luc Godard, about his courting of the then 17-year-old wife Anne Wiazemsky. Louis Garrel plays the director, Stacy Martin the actor. Brnice Bejo is also in the mix; her relationship with husband Hazanavicius may also have informed their involvement in this one.
The Sisters Brothers
Joaquin Phoenix makes his first appearance on this list, this time in the first English-language film from Jacques Audiard. Based on Patrick DeWitts novel, its about sibling assassins (Phoenix and John C Reilly) pursing a gold prospector across 1,000 miles of 1850s Oregon desert. Audiard was the surprise winner of the Palme dOr at Cannes last year for Dheepan; this looks quite wildly different.
Submergence
Wim Wenders latest sounds faintly bananas. James McAvoy plays an Englishman imprisoned by jihadists in a windowless room on the eastern coast of Africa. Alicia Vikander is a diver prepping to hit the ocean floor in Greenland. The previous Christmas, they had a romance which began on a French beach. How this one will play we have no idea, but Charlotte Rampling co-stars, which suggests swimmingly.
T2
Read more: https://www.theguardian.com/film/2016/dec/22/the-most-exciting-films-of-2017-returning-auteurs