Billie Eilish, Taylor Swift, Ariana Grande and Camila Cabello have all appealed to their millions of followers to take coronavirus more seriously, as other artists are criticised for continuing tours
Billie Eilish, Taylor Swift and Ariana Grande are among the pop stars using their considerable clout with fans to appeal for behavioural change during the coronavirus outbreak.
Eilish delivered a five-minute Instagram story to her 57 million followers, saying: Ive seen a lot of young people out in the world, all over the place, going to the club or going to the beach or just going out and hanging out, and its really irresponsible. She highlighted that young fans could pass it to more vulnerable relatives, and added: Please take responsibility for your endurance of this.
Swift spoke to her 128.2m Instagram followers to say: I love you guys so much and need to express my concern that things arent being taken seriously enough right now Im seeing lots of get-togethers and hangs and parties still happening. This is the time to cancel plans. Dont assume that because you dont feel sick that you arent possibly passing something on to someone elderly or vulnerable to this.
On Sunday, Grande wrote to her 72m Twitter followers: I keep hearing from a surprising amount of people statements like This isnt a big deal it is incredibly selfish and dangerous to take this situation that lightly. The We will be fine because were young mindset is putting people who arent young and/or healthy in a lot of danger. You sound stupid and privileged and you need to care more about others. Like now.
US singer Camila Cabello said: Especially as young people, even if we are healthy, its important to practice compassion and help others that could be suffering. We are in this together, lets not be indifferent to others risk. She advised her 48m Instagram followers to practise meditation to help quell any anxiety.
Their appeals come as other music stars have been criticised for going ahead with concerts during the crisis. Welsh indie band Stereophonics played a series of arena concerts over the weekend, attracting tens of thousands of fans, and defended the decision by saying: The UK governments position was that at this phase there was no need for a ban on large public gatherings. Acting on this guidance, we continued with the last three shows of our UK tour on Friday, Saturday and Sunday, as did many other events across the entertainment industry.
Scottish pop singer Lewis Capaldi used the same reasoning for playing an arena concert after Scotland announced the cancellation of large-scale events but before the ban came into force.
A spokesperson said of the Scottish governments advisory document: The advice applies from Monday March 16, and is not expected to have a significant impact on the spread of Covid-19, and this is not its purpose, but that it aims to relieve pressure on public services, including emergency services. Security, first aid, medical and welfare teams were paid for by the organisers as normal and the venue had additional signage in place to highlight best practice on hygiene during the event.
Stars are now looking to livestreaming as an alternative. Coldplay frontman Chris Martin took to Instagram Live yesterday to perform his bands songs as well as a cover of David Bowies Life on Mars. Maybe 9/11 was the last time I felt like we were all together, he said.
The performance was part of a new initiative from the World Health Organization and Global Citizen called Together, at Home. John Legend is the next performer lined up for the series.
Dave wins album of the year and fellow rappers Stormzy and Tyler, the Creator win best male categories as Capaldi crowns breakthrough year
Scottish singer-songwriter Lewis Capaldi has topped the winners at the 2020 Brit awards, though a strong year for rap music prevented a clean sweep of his four nominations.
Capaldi picked up best new artist and best song for Someone You Loved, which spent seven weeks at No 1 in spring 2019, later topping the US charts and earning a Grammy nomination.
His debut album Divinely Uninspired to a Hellish Extent its title typical of the dry self-deprecation that has won him millions of fans on social media was the biggest seller in the UK in 2019, but it lost the top prize of album of the year to south London rapper Dave and his emotionally fraught Psychodrama.
Dave, who in his performance earlier in the evening called Boris Johnson racist, decried the lack of support for survivors of the Grenfell tragedy and called attention to the disparity in the media treatment of Meghan Markle and Kate Middleton, used his acceptance speech to celebrate his fellow south Londoners, and to acknowledge incarcerated Britons including his brother, Christopher.
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Dave calls Boris Johnson ‘real racist’ in politically charged Brits performance video
In September 2019, Psychodrama won the other top album award in British pop music, the Mercury prize. Dave is only the second ever artist to win both, following the Arctic Monkeys wins for their 2006 debut Whatever People Say I Am, Thats What Im Not. Dave had been this years joint top Brits nominee with Capaldi on four.
Continuing a successful year for rap music, Stormzy beat a strong field Dave and Capaldi, plus Harry Styles and Michael Kiwanuka to be named best British male. His win follows a triumphant year in which he topped the UK singles chart three times, began a five-continent world tour, and played a headline set at Glastonbury that is already regarded as one of the greatest in the festivals 50-year history.
LA rapper Tyler, the Creator added to his best rap album Grammy award with a Brit for best international male, beating Bruce Springsteen and others. In his speech, he taunted former prime minister Theresa May, who as home secretary banned him from coming to the UK for five years. The restriction ended last year.
The rap wins show not only the current depth and breadth of the genre, but also that the Brit awards have adapted following accusations of under-promoting black talent. Following the #BritsSoWhite outcry of 2016, the Academy of voters was diversified to bring in more people of colour, and black British stars including Skepta, J Hus, Kano and Jorja Smith have all since appeared on shortlists.
Those Academy changes also brought in more women to move the gender balance of voters close to parity, but the awards have been criticised this year for not featuring enough women on its shortlists, as well as the longlists from which voters select nominees. Mabel was the only British woman to be shortlisted across 25 slots in the mixed British categories of best song, album, group and new artist. Voters could choose from 86 male artists for best British male, but only 26 women for best British female, while there were only 36 albums featuring women out of the 198 longlisted.
Joy Crookes, nominated for the rising star Brit award, was among those criticising the ceremony, telling the BBC: You take one look at that list to go theres not enough women on it. Its as simple as that you can tick all the boxes, but [diversity] just isnt there yet.
In the end, Mabel lost out to Capaldi in the best song category, but won best British female. Scoring a UK No 3 single and album last year as well as reaching the US charts for the first time, she is the daughter of another pop singer, Neneh Cherry, who won two awards at the 1990 Brit awards. Billie Eilish won best international female, adding to the five Grammy awards she won earlier this year.
The rising star award formerly the critics choice award had previously been announced, and was won by soul singer Celeste.
Two award categories from previous years, best international group and best video, were cut to make way for more performances at the ceremony a sign that the Brits is attempting to remain a vibrant TV fixture in an increasingly fragmented media landscape, and intent on creating potentially viral performances to be shared online. Other changes include the introduction of three performance stages around Londons O2 Arena where the awards are held, reducing the number of industry tables by 50%.
Performers at the ceremony, hosted by comedian Jack Whitehall, included award winners Capaldi, Dave, Eilish, Mabel, Stormzy and Celeste, plus Harry Styles and US rapper, singer and sometime flautist Lizzo. Rod Stewart reunited with Faces bandmates Ron Wood and Kenney Jones to close the show.
Brit awards 2020 winners in full
Male solo artist: Stormzy Female solo artist: Mabel Group of the year: Foals Rising star: Celeste New artist: Lewis Capaldi Song of the year: Lewis Capaldi Someone You Loved Album of the year: Dave Psychodrama International solo male: Tyler, the Creator International solo female: Billie Eilish
Billie Eilish and Lizzo are competing for a string of the top prizes, but could the likes of Ariana Grande, Lana Del Rey and Rosala cause upsets?
Noise threatens to drown out the music at the 2020 Grammy awards. A line had been drawn under the tone-deaf leadership of Neil Portnow, who had presided over the ceremony since 2002 between 2013 and 2018, Grammy winners were 91% male, but, after a 2018 ceremony where men swept the board again, Portnow said it was on women to step up and create opportunities for themselves.
A woman, Deborah Dugan, replaced him; a taskforce was appointed, and in December they published their report, calling for greater diversity in the Academy voters. Any hopes that they had moved on, though, were scotched last week by Dugan being suspended for alleged misconduct; Dugan countered by saying she had been sexually harassed, that the Academy had covered up an alleged rape by Portnow, and that the voting was corrupt.
So we go into this years ceremony more jaded than ever, but the irony is that, no matter how poisonous the Academy is and regardless of whether it is rigged or not, we ended up with a much more diverse range of nominees this year. Leading the pack are Lizzo with eight noms and Billie Eilish and Lil Nas X with six each a vibrantly youthful and non-conformist trio. But will the Academy members shake off the past and vote for the future?
Record of the year
Bon Iver Hey, Ma Billie Eilish Bad Guy Ariana Grande 7 Rings HER Hard Place Khalid Talk Lil Nas X ft Billy Ray Cyrus Old Town Road Lizzo Truth Hurts Post Malone & Swae Lee Sunflower
Aside from the merely pleasant HER and Khalid tracks, this is a strong field. While lots of eyes are on Lizzo and Eilish, this could perhaps be Ariana Grandes year. Its her first time with nominations in the big four categories rather than being patronised in the pop awards and, with its My Favourite Things melody, doddering Academy voters might listen to 7 Rings and say: Hey, its one I know! Triumphant earworm Old Town Road is the longest-running No 1 in US history; Bad Guy is a showcase of the kind of fiendish genius usually employed by Hollywood horror movies to construct elaborate ways for teenagers to get killed. But an Academy eager to telegraph its modernity might go for Lizzo: Truth Hurts is a great underdog story, reaching No 1 two years after release, and her charisma is near universally infectious.
Will win: Lizzo Truth Hurts Should win: Billie Eilish Bad Guy
Album of the year
Bon Iver i, i Lana Del Rey Norman Fucking Rockwell! Billie Eilish When We All Fall Asleep, Where Do We Go? Ariana Grande Thank U, Next HER I Used to Know Her Lil Nas X 7 Lizzo Cuz I Love You (Deluxe) Vampire Weekend Father of the Bride
This is Grandes best chance of a big win. Thank U, Next is a superbly realised almost-concept album about heartache, grief and moving on that can be witty, even caustic, but never cruel it sealed her as one of the three or four definitive pop stars of our time. Lizzo, HER and Lil Nas X are hampered with too much 6/10 material across their albums; Lana Del Rey was the critical hit of the year and will certainly beat out fellow Pitchfork darlings Bon Iver and Vampire Weekend, but may not cut through to the more august and mainstream Academy members. Eilish was the inescapable pop-cultural breakthrough of the year, and her album has such terrific range and invention. She will, hopefully, squeak this.
Will win: Billie Eilish Should win: Billie Eilish
Song of the year
Lady Gaga Always Remember Us This Way Billie Eilish Bad Guy Tanya Tucker Bring My Flowers Now HER Hard Place Taylor Swift Lover Lana Del Rey Norman Fucking Rockwell Lewis Capaldi Someone You Loved Lizzo Truth Hurts
Piano-driven ballads dominate the songwriting category, including Taylor Swifts only big nomination. Lover is such classic American songcraft, though Lewis Capaldis powerful Someone Like You is the best of these ballads and it would be a British win to remember. Eilish is streets ahead in terms of songwriting innovation and should win for that Duh! alone. But, while Truth Hurts most famous lyric (I just took a DNA test, turns out Im 100% that bitch) may have been plagiarised and its British author later added to the credits, Lizzo has this sewn up. The lyrics are hilarious, and it is a massively successful example of that new school of songwriting where a single melody is repeated over and over until the brainwashed public is involuntarily chanting it and then clawing hopelessly at their faces.
Will win: Lizzo Truth Hurts Should win: Billie Eilish Bad Guy
New artist
Black Pumas Billie Eilish Lil Nas X Lizzo Maggie Rogers Rosala Tank and the Bangas Yola
Nice to see some country-soul curveballs here in the excellent Black Pumas and Yola, though the less said the better about the tune-free Tank and the Bangas at any rate, theyre all making up the numbers. Maggie Rogers didnt really break beyond her fanbase with her underrated debut album, and Im sure the Academy will see Lil Nas X merely as a two-hit wonder. Lizzos debut album came out in 2013, whereas Eilish has only just turned 18 and feels like the rightful owner of this award. But you can bet than every Latinx voter is going to be going for the astoundingly talented Rosala, who won big at the Latin Grammys and could cause an upset here.
Will win: Billie Eilish Should win: Billie Eilish
Pop solo performance
Beyonc Spirit Billie Eilish Bad Guy Ariana Grande 7 Rings Lizzo Truth Hurts Taylor Swift You Need to Calm Down
Just as performances where you cry, shout and climb inside the carcass of a bear win you Oscars, the leading pop award rather behoves you to give it some welly not for nothing has Adele won it three times. Eilish and Grandes variously murmured and chatted performances will appear to the Academy like weirdo arthouse choices here, and even Swift is in a relatively conversational mode. Beyoncs ponderous Spirit was the lame old wildebeest eaten by the younger jackals on the Lion King soundtrack, so this is Lizzos to lose.
Will win: Lizzo Should win: Billie Eilish
Rock performance
Bones UK Pretty Waste Gary Clark Jr This Land Brittany Howard History Repeats Karen O & Danger Mouse Woman Rival Sons Too Bad
Anyone looking for evidence of backroom dealing in the Academy might well make Bones UK their exhibit A: Pretty Waste is the kind of creative vacuum beloved only of nihilistically cocaine-addicted LA music industry execs looking for something to soundtrack rock bottom. The rest is pretty good. Rival Sons riffs and hollering make them the most tangibly rock thing here Karen O essays 60s pop, and Brittany Howards History Repeats is a kind of bluesy funk tune, but with mainstream rock stranded out on a sandbar while rappers and pop stars taunt it on jetskis, they need to blur the genre lines. Gary Clark Jr could edge this with his politically charged This Land, half-rapped over a heavily skanking backing.
Will win: Gary Clark Jr Should win: Rival Sons
Rap performance
J Cole Middle Child DaBaby Suge Dreamville feat JID, Bas, J Cole, Earthgang & Young Nudy Down Bad Nipsey Hussle feat Roddy Ricch & Hit-Boy Racks in the Middle Offset feat Cardi B Clout
Many voters hearts will go with Nipsey Hussle, whose murder last year robbed the world of a skilful, soulful MC who united backpacker hip-hoppers and mainstream rap fans. Racks in the Middle also features Roddy Rich, who has broken through spectacularly over the last year. But the track pales next to two others here: DaBabys Suge is a slowly prowling piece of minimalism that makes Offset sound fussily overworked in comparison; its ridiculous that DaBaby isnt up for best new artist. He is rather damaged goods after a series of run-ins with the law, however. That could hand Middle Child the win, on which J Cole raps as if hes high-stepping across the surface of a lake, his triplet time full of balletic grace.
Will win: J Cole Should win: DaBaby
Country solo performance
Tyler Childers All Yourn Ashley McBryde Girl Goin Nowhere Willie Nelson Ride Me Back Home Blake Shelton Gods Country Tanya Tucker Bring My Flowers Now
If you scoff at country, youll probably always scoff at country, but this spread of songs shows off the admirable breadth of the genre and may pique your interest yet. Willie Nelsons song is a bit something-and-nothing; Tanya Tuckers Bring My Flowers Now is nominated in the song of the year category, and its live-for-today message and simple piano backing will appeal across the Academy, but its rather workmanlike. Ashley McBryde outdoes her in the ballad stakes, but its Tyler Childers and Blake Shelton both strongly channelling the gospel and soul music that not so secretly underpins country who are the strongest here. Childers song would make for a classy first wedding dance, while Sheltons stirring ode to proud Christian labour, while deeply unfashionable, will have you gazing soulfully across a cornfield.