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American Idol, Imma let you finish, but The Voice is the best singing competition of all time. Not only do aspiring musicians lobby for the approval of the audience, but each contestant studies under the tutelage of modern hit musicians. Kelly Clarkson teaches singers how to belt out powerful and insanely catchy melodies. Blake Shelton serves as the country music sensei, schooling his students on the fundamentals of classic American sound. Adam Levine shows budding rockers how to “move like Jagger.”

Former judge Jennifer Hudson exited last season, making way for the EGOT-winning artist John Legend to join season 16. With a dais of superstars across nearly all popular music genres (sorry, no Soundcloud Rapper coach… yet). Tune in, watch singers’ progression, and then vote with your wallet on iTunes the next day. The Voice season 16 premiere, however, will undoubtedly be one of the most exciting episodes: It’s when the judges choose to spin their chairs around to get their first look at the singers they hope to coach. 

Here’s everything you need to know to watch The Voice online for free.

NBC

The Voice season 16 judges

  • Blake Shelton
  • Adam Levine
  • Kelly Clarkson
  • John Legend

When does The Voice season 16 air?

Season 16 of The Voice premieres Monday, Feb. 25, 2019, at 8pm ET/PT. The first results show will air Tuesday, Feb 26. at 8pm ET/PT. New episodes will air the following Mondays and Tuesdays at the same time on NBC.


How to watch The Voice online for free

While there are variations in their coverage areas and other local channels, all of the major live TV streaming service offer NBC. Even better, you can try any of them with a one-week free trial, allowing you to get started with no upfront cost. For a more detailed breakdown, click on each service or check out our list of .

1) and Hulu with Live TV

Read more: https://www.dailydot.com/upstream/watch-the-voice-online-free/

The Late Night host discusses how talkshows became a hotbed of political activism and the terrifying thought he might be to blame for Donald Trump

It is 6pm in New York and inside the NBC building known to those who work in it and those who watch the shows produced out of it as 30 Rock excitement is spreading in one of the green rooms. Blazered NBC pages officiously tidy away coffee cups left by messy guests, while Tracy Morgan, one of tonights guests, practises his lines for an upcoming sketch with his entourage (Im not Tracy Morgan look at my moustache!). The temptation to get up and look for Jack Donaghy and Liz Lemon is great.

But this is not a fictional scene from Tina Feys legendary and, in this building, seemingly omnipresent sitcom. Rather, it is the runup to the talkshow Late Night, helmed since 2014 by Feys former Saturday Night Live colleague Seth Meyers, which goes out four nights a week at 12.35am.

In Britain, if a comedian were given a talkshow that airs at 12.35am, it would look as if they were barely clinging on to the Z list. But in the US, it is confirmation that their career is made. James Corden, over on the CBS network, has become (much to Britains bemusement) a bona fide US star hosting The Late Late Show, which airs at the same time, while the previous hosts of NBCs Late Night were David Letterman, Conan OBrien and Jimmy Fallon. As such, it is seen as the testing ground for arguably the highest-profile job on US TV: host of NBCs The Tonight Show, currently held by Fallon, another SNL alum. But Meyers is doing things a little differently from his predecessors.

Meyers
Meyers interviewing Kellyanne Conway on Late Night.

At about 6.30pm, the audience is ushered into the surprisingly small studio. Rule of thumb about US TV: all studios are smaller and all hosts are better looking than you expect, and Late Night with Seth Meyers ticks both of those boxes. Handsome in that unthreatening, clean-cut American way, Meyers sits behind a desk and launches almost immediately into jokes about DonaldTrump (He held a press conference hostage).

Late-night TV hosts, from Johnny Carson to Letterman to Corden, are known for their gentle wit, funny regular slots (Lettermans Top 10 lists, Cordens Carpool Karaoke) and soft-soaped interviews. Nothing to scare the most mainstream of horses, in other words. Meyers, however, is becoming increasingly celebrated for his political bent. Vanity Fair dubbed him the real heir to Jon Stewart, and last week the New York Times described him as the most potent of the late-night hosts. In January, he interviewed Kellyanne Conway, who would shortly become the White House counselor to the president and, in his amusing-but-not-snarky, clued-up-but-not-aggressive style, took her to task about reports that the Russian government has compromising information on Trump. In his regular segment, A Closer Look, he focuses in depth on an often-political issue. Unsurprisingly, for the past few months, and especially since the inauguration, it has been dominated by Trump, and tonight is no exception.

It is racist to assume all black people know each other, Meyers says, referring to Trump telling April Ryan, an African-American reporter, to set up a meeting for him with the Congressional Black Caucus. We dont assume you know all orange people. Can you set up a meeting with the Lorax?

Morgan then enters stage left, signalling the switch to the celebrity part of the show.

About an hour later, I meet Meyers in his dressing room. There is a 1990s Nintendo game console hooked up to the TV, and on one wall hangs the cue card from his final SNL appearance, with shoutouts to him on it from Amy Poehler, Bill Hader and others. Meyers looks as if he has just had a massage, as opposed to just finishing a 12-hour working day, plus an early morning wakeup call from his wife, Alexi Ashe, courtesy of their 10-month-old son, Ashe. On top of the usual rigours of hosting a daily TV show, there has been, unusually, no comedown after the election; if anything, the political pace has stepped up a notch.

Even in 2008 which was probably the most exciting political cycle Iexperienced while at SNL there was a sense of a hangover afterwards. But this time, it has been relentless, and were only relentless in what were doing because [the Trump administration is] so relentless in what theyre doing. So this is all a reactive relentlessness, he says, gloving, as he often does, his political points with aneasygoinglaugh.

Meyers
Meyers during a Late Night White House press conference sketch. Photograph: NBC/Getty Images

Late-night TV has, he agrees, certainly changed in the past decade. Instead of being the thing Americans fall asleep in front of, dominated by fluffy celebrity interviews, it has become the source of some of the most high-profile political activism in the US. Theres Last Week Tonight with John Oliver on HBO, Full Frontal with Samantha Bee on TBS and The Daily Show, now hosted by Trevor Noah, on Comedy Central. But these are all cable shows. It is far more unusual for a network host to seize the political mantle, as Meyers has done on NBC, and as Stephen Colbert has done to an initially much less certain extent on CBSs The Late Show. And, for many viewers, these shows have become their primary news source.

I feel like everyone you mentioned owes an enormous debt to Jon Stewarts Daily Show, because I think that started this trend of people having talkshows where they have a point of view that theyre not afraid to share, says Meyers.

But while Stewart may have provided the US TV template for combining entertainment and politics, the truth is that entertainment wouldnt have started to become more like the news if TV news hadnt already turned into entertainment. In a new book, The Daily Show: An Oral History, Lizz Winstead, the shows creator, says she got her inspiration from watching CNNs coverage of the Gulf war: CNN had replaced their fancy reporters with young people, and they were on roofs, and there was a theme song and all this shit. And I just thought: Are they reporting on the war or trying to sell me awar? Winstead recalls.

It is almost impossible to find actual news on US cable because the channels are dominated by hour-long talkshows hosted by people such as Bill OReilly (Fox News) and Chris Hayes (MSNBC) giving their spin on the news in a way that is pretty indistinguishable from Meyerss A Closer Look, but with fewer jokes. Surely this illustrates the dissolution of boundaries between TV journalism and entertainment, to journalisms detriment and entertainments gain?

Well, I speak for my show only when I say were in debt to journalists because were just pulling clips all day long which they made in the first place. We know that a lot of people watching our show havent been watching the news as closely as we have they havent been following hundreds of reporters on Twitter all day. So I guess our goal is to say: Hey, heres what happened today in 10 minutes, and hopefully well tell you in a way that wont make you throw your remote at the television, he says.

According to Meyers, NBC has been totally supportive of the show having a [political] point of view, but as Feys 30 Rock gleefully illustrated, TV networks dont do anything out of a sense of moral obligation; they are guided purely by the financials. NBC clearly saw which way the wind was blowing for US talkshows. Fallon has notably resisted giving his show a political spin, a tricky stance during this particular election and one that nearly undid him: the photo of him chummily ruffling Trumps hair during an interview before the election became the visual symbol of the medias toothlessness with the GOP candidate.

Tina
Tina Fey as Sarah Palin and Amy Poehler as Hillary Clinton in Meyerss SNL sketch. Photograph: Dana Edelson/NBC/NBCU/Getty)

Meyers, inevitably, defends his old friend: Jimmy had always presented himself as an apolitical entertainer. It would have been different if the interview had taken place on a show that had presented itself as being political, but I understood when it happened.

But Fallon himself seems to feel regret. The week before I met with Meyers, he appeared on Fallons show.

Your interview with Kellyanne Conway was fantastic I had Trump on the show and, er, it had a pretty big reaction, Fallon said, sounding uncharacteristically deflated. Colberts more politically leaning show is currently beating Fallons in the ratings, and Meyers show is ahead of Cordens apolitical talkshow.

I ask Meyers if he thinks its a problem that all these late-night political comedians lean left. Doesnt that play into the Trump narrative of a mainstream media bias?

I dont know what else to do other than tell people what I think to be untruths. I mean, theres that idea of Oh well meet them halfway, but I dont know where halfway is any more. Its like asking someone to meet halfway on a bridge thats already collapsed, he says. But we dont come in saying: How are we going to get Trump today? We come in saying: Whats in the news today? And were now on a 26-day streak of it being Trump-related, but thats not because were out looking for it.

Anyway, he says, their influence shouldnt be overstated, and hes right. After all, these shows all mocked Trump throughout the election and we all know how that turned out.

Except, I respond, doesnt the 2011 White House correspondents dinner disprove his theory? He visibly winces.

In 2011, Meyers hosted the dinner, an annual DC shindig for the media, but this one has gone down in infamy because it was almost certainly the night Trump decided to run for office. Fresh from his birther pursuit of President Obama, Trump attended and was mocked ruthlessly by both Meyers and Obama, to Trumps visible fury.

Someday someone may well write a kind of micro-history of that night, as historians now are wont to do, as a pivot in American life, Adam Gopnik later wrote in the New Yorker.

Meyers
Meyers with his wife Alexi Ashe. Photograph: WireImage/Mike Pont

Yeah, that is pretty terrifying, says Meyers with an easy laugh.

One of Meyerss lines was: Donald Trump has been saying that he will run for president as a Republican, which is surprising since I just assumed he was running as a joke. Did he ever think it might be risky to goad Trump like that?

No! Not at all! I mean, you have to remember back in 2011 he was really drilling into this birth certificate thing, saying all these things that seem like misdemeanours now compared to all the other [things he has since said]. So I couldnt have asked for a better target, because the best target is someone no one can defend, and he was doing indefensible things.

Could he see how angry Trump was?

No, but when I walked off stage, I had never received so many texts so quickly, most in a congratulatory vein, but also a lot of people warning me to stay away from him, he laughs again.

Meyers, 43, grew up in suburban Illinois and New Hampshire, the son of a financier and French teacher. It was, Meyers says, a super loving and supportive family, which I know is not where comedians are supposed to come from. But Meyers and his younger brother, Josh, who is an actor (Red Oaks, That 70s Show), compensated for their happy childhood by watching Monty Python and SNL with their parents. I think the greatest gift your parents can give you if you want to be a comedian is good taste. Once youve watched Monty Python, you cant watch Full House, he says, referring to the awful 1980s sitcom that launched the Olsen twins.

Meyerss career path has looked almost stunningly effortless. In 2001, he was cast in SNL, a blessing from the comedy gods. But he soon had a collapse of self-confidence, or something close to it.

I was very much aiming to go into movies eventually, like a lot of SNL people. But, soon after I arrived, all these really good actors started, like Fred Armisen, Bill Hader, Jason Sudeikis and Andy Samberg, and Ithought: If I were casting a movie, Iwould put all of them in it over me. I thought I was an excellent writer, but I knew they were better at acting than me, he says.

To his relief, SNLs founder and producer, Lorne Michaels, made him writing supervisor and gave him the plum job of hosting SNLs regular satirical news slot, Weekend Update. This, almost certainly, is what eventually got him the Late Night gig. Weekend Update taught him how to combine politics and comedy, and so did writing the famous SNL skits in which Tina Fey played Sarah Palin and Amy Poehler played Hillary Clinton. Healso helped write one of SNLs greatest moments, when in 2007 a massively pregnant Poehler rapped about Sarah Palin (In Wasilla, we just chill, baby, chill-a/But when I see oil its drill, baby, drill-a), while Palin herself gamely danced along.

That was my favourite moment in the show, and I always say that would not have worked if Palin had not been such a good sport, says Meyers.

Doesnt he worry that the current administration wont be like that, and he wont even get them to appear on his show?

Well, hopefully we treated Kellyanne Conway well enough so the word gets out that were to be trusted. Id love to have Sean Spicer on, that would be interesting, he says.

Interesting, if unlikely.

Maybe, maybe, he concedes. The truth is, although he would never say it, that with the growing strength of Meyerss monologues and political slots, the guests on his show are almost by the by. I have to assume that [the administration] would be happier if we all gave up doing what were doing and thats why you cant give up.

Read more: https://www.theguardian.com/tv-and-radio/2017/feb/26/seth-meyers-i-couldnt-have-asked-for-a-better-target-than-trump

Los Angeles (CNN)As The Olympics comes to a close on NBC, the network will tease the start of another great competition: “The Voice” Season 11.

Judging by a sneak peek at the new season, which features first-time coaches Miley Cyrus and Alicia Keys, it’s going to be eventful.
    CNN was given an early look at a half-hour season preview of “The Voice” set to air after the Olympic closing ceremony on Sunday, and here’s what you should know.

    Cyrus and Keys come out swinging

    The newest additions to the spinning chairs waste no time making themselves at home. It’s clear from the start that Cyrus and Keys are on a quest to build the strongest teams they can — even if it means they go toe-to-toe with veteran coaches Adam Levine and Blake Shelton.
    In the sneak peek, each of the new coaches take different approaches to wooing potential team members, and at times, Levine and Shelton find it hard to compete.
    Cyrus plays up her off-beat, youthful energy. At one point, she tells a contestant who wore her grandmother’s vintage vest to the audition that they share “grandma power.”
    Keys, meanwhile, goes for a warm, personal approach that none of the other three could possibly duplicate.

    Keys might be the one to beat

    Speaking of Keys, early indicators are she’s going to be the most calculated and deliberate coach during auditions this season. She doesn’t seem like the type who will be turning chair around for just any good singer.
    Her strategy appears to be seeking out singers who she feels a connection to. One person who ends up on her team calls Keys “honest and real,” and that sums up what Keys’ approach to mentoring will probably be as well.
    As an artist that puts a lot of stock in authenticity, Keys seems to be on the lookout for artists with strong points of view that she can take to a new level.
    In other words, the other coaches should be on high alert for this savvy coach.

    Levine and Shelton have fun picking on Cyrus — but she fights back

    Even though the bromance of Levine and Shelton is out in full force once again this season, Cyrus’ addition promises to only add more fuel to the fire.
    Like when she guested as a mentor on the show last season, Shelton has a lot of fun poking fun at the younger singer’s eccentric style and her gift for gabbing. (“When do you breathe?” he joked at one point.) But she doesn’t take it lying down.
    At one point, Cyrus pointed out to a contestant that unlike her fellow coaches, the “internet actually existed” when she was coming up in the music world. (Levine laughed the comment off, saying, “We weren’t born in the ’30s.”)

    Most importantly, there’s perfect harmony

    New dynamics are tough to test out, but the first look at the new season feels less like a timid step into the future and more like a leap into a new era for “The Voice.”
    Cyrus and Keys make sure their musicianship shines brighter than everything else. (They even do an impromptu duet with a contestant and have a fun performance with Shelton and Levine.) And that could make for a pretty harmonious season.
    Season 11 of “The Voice” premieres September 19.

    Read more: http://www.cnn.com/2016/08/19/entertainment/miley-cyrus-alicia-keys-the-voice/index.html

    BY JOCELYN JOHNSON

    On Wednesday NBCUniversals digital comedy channel, Seeso, announced a new slate of original programming set for premiere this summer. Seeso has also optioned worldwide rights for feature-length documentaryThe Pistol Shrimps,about the Los Angeles-based female basketball team by the same name.

    The announcement arrived Wednesday during the 2016 NewFronts, an annual presentation opportunity for media companies looking to sell series to advertisers. NBCUniversal does not have a slot at the 2016 NewFronts and instead will present on May 16 as part of the Broadcast TV Upfronts. The announcement for Seeso today could be a strong attempt to stay in the minds of digital buyers, who are expected to make buys against premium content despite the comedy brand’s subscription model.

    Below is a rundown of the new programming from Seesos public announcement:

    • Gentlemen Lobsters (8 episodes), premieresJune 16
      Based on the Webby Award-winning hit GQ digital series,Gentlemen Lobsters features Garrett and Quinn, best friends and roommates, who struggle to survive the devastating reality that is being 20-something lobsters. Starring and executive produced by Kevin Burrows and Matt Mider. For Cond Nast Entertainment, executive producers are Dawn Ostroff and Antonio Hernandez. For HotHouse Productions, executive producers are Michael J. Rizzo and Sean Conroy.
    • Night Train with Wyatt Cenac (6 episodes), premieresJune 30
      A mix of standup, music, and other surprises, where anything can happen and anything is welcome, Night Train with Wyatt Cenac captures the amazing talent and spontaneity that has made the live show a staple of the New York comedy scene for the past three years. Executive produced by Cenac and Marianne Ways. Produced by Avalon Television, with David Martin, Jon Thoday, and Richard Allen-Turner also executive producing.
    • HarmonQuest (10 episodes), premieresJuly 14
      A comedic journey into the hilarious world of fantasy role-playing with Dan Harmon and his Comedian Companions. The show will feature Executive Producers Dan Harmon and Spencer Crittenden, as well as Erin McGathy and Jeff Bryan Davis with new guest appearances each episode. Produced by Universal Cable Productions.

    You can check out the full list below.

    Read more: http://www.dailydot.com/entertainment/seeso-summer-programming/