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Excitement for The Europas Awards for European Tech Startups is heating up. Here is the first wave of speakers and judges — with more coming!

The Awards — which have been running for over 10 years — will be held on 25 June 2020 in London, U.K. on the front lawn of the Geffrye Museum in Hoxton, London — creating a fantastic and fun garden-party atmosphere in the heart of London’s tech startup scene.

TechCrunch is once more the exclusive media sponsor of the awards and conference, alongside The Pathfounder.

The application form to enter is here.

We’re scouting for the top late-stage seed and Series A startups in 22 categories.

You can nominate a startup, accelerator or venture investor that you think deserves to be recognized for their achievements in the last 12 months.

CLOSING DATE FOR APPLICATIONS: 25 March 2020

For the 2020 awards, we’ve overhauled the categories to a set that we believe better reflects the range of innovation, diversity and ambition we see in the European startups being built and launched today. This year we are particularly looking at startups that are able to address the SDGs/Globals Boals.

The Europas Awards
The Europas Awards results are based on voting by experts, experienced founders, hand-picked investors and the industry itself.

But the key to it is that there are no “off-limits areas” at The Europas, so attendees can mingle easily with VIPs.

Timeline of The Europas Awards deadlines:

Submissions now open!
25 March 2020 – Submissions close
14 April – Public voting begins
25 April – Public voting ends
8 June – Shortlist Announced
25 June – Awards evening, winners announced

Amazing networking

We’re also shaking up the awards dinner itself. There are more opportunities to network. Our awards ceremony this year will be in the setting of a garden/lawn party, where you’ll be able to meet and mingle more easily, with free-flowing drinks and a wide selection of street food (including vegetarian/vegan). The ceremony itself will last less than 45 minutes, with the rest of the time dedicated to networking. If you’d like to talk about sponsoring or exhibiting, please contact Claire Dobson on claire@thepathfounder.com

Instead of thousands and thousands of people, think of a great summer event with the most interesting and useful people in the industry, including key investors and leading entrepreneurs.

The Europas Awards have been going for the last 10 years, and we’re the only independent and editorially driven event to recognise the European tech startup scene. The winners have been featured in Reuters, Bloomberg, VentureBeat, Forbes, Tech.eu, The Memo, Smart Company, CNET, many others — and of course, TechCrunch.

• No secret VIP rooms, which means you get to interact with the speakers

• Key founders and investors attending

• Journalists from major tech titles, newspapers and business broadcasters

The Pathfounder Afternoon Workshops
In the afternoon prior to the awards we will be holding a special, premium content event, The Pathfounder, designed be a “fast download” into the London tech scene for European founders looking to raise money or re-locate to London. Sessions include “How to Craft Your Story”; “Term Sheets”; “Building a Shareholding Structure”; Investor Panel; Meet the Press; and a session from former Europas winners. Followed by the awards and after-party!

The Europas “Diversity Pass”
We’d like to encourage more diversity in tech! That’s why we’ve set aside a block of free tickets to ensure that pre-seed female and BAME founders are represented at The Europas. This limited tranche of free tickets ensures that we include more women and people of colour who are specifically “pre-seed” or “seed-stage” tech startup founders. If you are a women/BAME founder, apply here for a chance to be considered for one of the limited free diversity passes to the event.

Meet some of our first speakers and judges:


Anne Boden
CEO
Starling Bank
Anne Boden is founder and CEO of Starling Bank, a fast-growing U.K. digital bank targeting millions of users who live their lives on their phones. After a distinguished career in senior leadership at some of the world’s best-known financial heavyweights, she set out to build her own mobile bank from scratch in 2014. Today, Starling has opened more than one million current accounts for individuals and small businesses and raised hundreds of millions of pounds in backing. Anne was awarded an MBE for services to financial technology in 2018.


Nate Lanxon (Speaker)
Editor and Tech Correspondent
Bloomberg
Nate is an editor and tech correspondent for Bloomberg, based in London. For over a decade, he has particularly focused on the consumer technology sector, and the trends shaping the global industry. Previous to this, he was senior editor at Bloomberg Media and was head of digital editorial for Bloomberg.com in Europe, the Middle East and Africa. Nate has held numerous roles across the most respected titles in tech, including stints as editor of WIRED.co.uk, editor-in-chief of Ars Technica UK and senior editor at CBS-owned CNET. Nate launched his professional career as a journalist by founding a small tech and gaming website called Tech’s Message, which is now the name of his weekly technology podcast hosted at natelanxon.com.


Tania Boler
CEO and founder
Elvie
/> Tania is an internationally recognized women’s health expert and has held leadership positions for various global NGOs and the United Nations. Passionate about challenging taboo women’s issues, Tania founded Elvie in 2013, partnering with Alexander Asseily to create a global hub of connected health and lifestyle products for women.


Kieran O’Neill
CEO and co-founder
Thread
Thread makes it easy for guys to dress well. They combine expert stylists with powerful AI to recommend the perfect clothes for each person. Thread is used by more than 1 million men in the U.K., and has raised $35 million from top investors, including Balderton Capital, the founders of DeepMind and the billionaire former owner of Warner Music. Prior to Thread, Kieran founded one of the first video sharing websites at age 15 and sold it for $1.25 million at age 19. He was then CEO and co-founder of Playfire, the largest social network for gamers, which he grew to 1.5 million customers before being acquired in 2012. He’s a member of the Forbes, Drapers and Financial Times 30 Under 30 lists.


Clare Jones
Chief Commercial Officer
what3words
Clare is the chief commercial officer of what3words; prior to this, her background was in the development and growth of social enterprises and in impact investment. Clare was featured in the 2019 Forbes 30 under 30 list for technology and is involved with London companies tackling social/environmental challenges. Clare also volunteers with the Streetlink project, doing health outreach work with vulnerable women in South London.


Luca Bocchio
Principal
Accel
Luca Bocchio joined Accel in 2018 and focuses on consumer internet, fintech and software businesses. Luca led Accel’s investment in Luko, Bryter and Brumbrum. Luca also helped lead Accel’s investment and ongoing work in Sennder. Prior to Accel, Luca was with H14, where he invested in global early and growth-stage opportunities, such as Deliveroo, GetYourGuide, Flixbus, SumUp and SecretEscapes. Luca previously advised technology, industrial and consumer companies on strategy with Bain & Co. in Europe and Asia. Luca is from Italy and graduated from LIUC University.


Bernhard Niesner
CEO and c-founder
busuu
/> Bernhard co-founded busuu in 2008 following an MBA project and has since led the company to become the world’s largest community for language learning, with more than 90 million users across the globe. Before starting busuu, Bernhard worked as a consultant at Roland Berger Strategy Consultants. He graduated summa cum laude in International Business from the Vienna University of Economics and Business and holds an MBA with honours from IE Business School. Bernhard is an active mentor and business angel in the startup community and an advisor to the Austrian Government on education affairs. Bernhard recently received the EY Entrepreneur of the Year 2018 UK Awards in the Disruptor category.


Chris Morton
CEO and founder
Lyst
Chris is the founder and CEO of Lyst, the world’s biggest fashion search platform used by 104 million shoppers each year. Including over 6 million products from brands including Burberry, Fendi, Gucci, Prada and Saint Laurent, Lyst offers shoppers convenience and unparalleled choice in one place. Launched in London in 2010, Lyst’s investors include LVMH, 14W, Balderton and Accel Partners. Prior to founding Lyst, Chris was an investor at Benchmark Capital and Balderton Capital in London, focusing on the early-stage consumer internet space. He holds an MA in physics and philosophy from Cambridge University.


Husayn Kassai
CEO and co-founder
Onfido
/> Husayn Kassai is the Onfido CEO and co-founder. Onfido helps businesses digitally onboard users by verifying any government ID and comparing it with the person’s facial biometrics. Founded in 2012, Onfido has grown to a team of 300 across SF, NYC and London; received over $100 million in funding from Salesforce, Microsoft and others; and works with over 1,500 fintech, banking and marketplace clients globally. Husayn is a WEF Tech Pioneer; a Forbes Contributor; and Forbes’ “30 Under 30”. He has a BA in economics and management from Keble College, Oxford.

Read more: https://techcrunch.com/2020/02/26/meet-the-first-wave-of-speakers-enter-your-startup-for-the-europas-awards-25-june/

Maisie Williams’ time on Game of Thrones may have come to an end, but her talent discovery app Daisie is just getting started. Co-founded by film producer Dom Santry, Daisie aims to make it easier for creators to showcase their work, discover projects and collaborate with one another through a social networking-style platform. Only 11 days after Daisie officially launched to the public, the app hit an early milestone of 100,000 members. It also recently closed on $2.5 million in seed funding, the company tells TechCrunch.

The round was led by Founders Fund, which contributed $1.5 million. Other investors included 8VC, Kleiner Perkins, and newer VC firm Shrug Capital, from AngelList’s former head of marketing Niv Dror, who also separately invested. To date — including friends and family money and the founders’ own investment — Daisie has raised roughly $3 million.

It will later move toward raising a larger Series A, Santry says.

On Daisie, creators establish a profile as you would on a social network, find and follow other users, then seek out projects based on location, activity, or other factors.

“Whether it’s film, music, photography, art — everything is optimized around looking for collaborators,” explains Santry. “So the projects that are actively open and looking for people to get involved, are the ones we’re really pushing for people to discover and hopefully get involved with,” he says.

The company’s goal to offer an alternative path to talent discovery is a timely one. Today, the creative industry is waking up — as are many others — to the ramifications of the #MeToo and #TimesUp movements. As power-hungry abusers lose their jobs, new ways of working, networking and sourcing talent are taking hold.

As Williams said when she first introduced the app last year, Daisie’s focus is on giving the power back to the creator.

“Instead of [creators] having to market themselves to fit someone else’s idea of what their job would be, they can let their art speak for themselves,” she said at the time.

The app was launched into an invite-only beta on iOS last summer, and quickly saw a surge of users. After 37,000 downloads in week one, it crashed.

“We realized that the community was a lot larger than the product we had built, and that scale was something we needed to do properly,” Santry tells TechCrunch.

The team realized there was another problem, too: Once collaborators found each other in Daisie, there wasn’t a clear cut way for them to get in touch with one another as the app had no communication tools or ways to share files built in.

“That journey from concept to production was pretty muddy and quite muddled…so we realized, if we were bringing teams together, we actually wanted to give them a place to work — give them this creative hub…and take their project from concept all the way to production on Daisie,” Santry notes.

With this broader concept in mind, Daisie began fundraising in San Francisco shortly after the beta launch. The round initially closed in October 2018, but was more recently reopened to allow Dror’s investment.

With the additional funding in tow, Daisie has been able to grow its team of five to eighteen, including new hires from Monzo, Deliveroo, BBC, Microsoft, and others — specifically engineers who were familiar with designing apps for scale. Tasked with developing better infrastructure and a more expansive feature set, the team set to work on bringing Daisie to the web.

Nine months later, the new version launched to the public and is stable enough to handle the load. Today, it topped 100,000 users — most of which are in London. However, Daisie is planning to focus on taking its app to other cities including Berlin, New York, and L.A. going forward.

The company has monetization ideas in mind, but the app does not currently generate revenue. However, it’s already fielding inquiries from companies who want Daisie to find them the right talent for their projects.

“We want the best for the creators on the platform, so if that means bringing clients on — and hopefully giving those connectivity opportunities — then we’ll absolutely [go] down those roads,” Santry says.

The app may also serve as a talent pipeline for Maisie Williams’ own Daisy Chain Productions. In fact, Daisie recently ran a campaign called London Creates which connected young, emerging creators with project teams, two of which were headed by Santry’s Daisy Chain Productions co-founders, Williams and Bill Milner.

Now Daisy Chain Productions is going to produce a film from the Daisie collaboration as a result.

While celebs sometimes do little more than lend their name to projects, Williams was hands-on in terms of getting Daisie off the ground, Santry says. During the first quarter of 2019, she worked on Daisie 9-to-5, he notes. But she has since started another film project and plans to continue to work as an actress, which will limit her day-to-day involvement. Her role now and in the future may be more high-level.

“I think her role is going to become one of, culturally, like: where does Daisie stand? What do we stand for? Who do we work with? What do we represent?” he says. “How do we help creators everywhere? That’s mainly want Maisie wants to make sure Daisie does.”

Read more: https://techcrunch.com/2019/05/20/maisie-williams-talent-discovery-startup-daisie-raises-2-5-million-hits-100k-members/

The spat between Spotify and Apple is going to be the focus on a new investigation from the EU, according to a report from the FT.

The paper reported today that the European Commission (EC), the EU’s regulatory body, plans to launch a competition inquiry around Spotify’s claim that the iPhone-maker uses its position as the gatekeeper of the App Store to “deliberately disadvantage other app developers.”

In a complaint filed to the EC in March, Spotify said Apple has “tilted the playing field” by operating iOS, the platform, and the App Store for distribution, as well as its own Spotify rival, Apple Music.

In particular, Spotify CEO Daniel Ek has said that Apple “locks” developers and their platform, which includes a 30 percent cut of in-app spending. Ek also claimed Apple Music has unfair advantages over rivals like Spotify, while he expressed concern that Apple controls communication between users and app publishers, “including placing unfair restrictions on marketing and promotions that benefit consumers.”

Spotify’s announcement was unprecedented — Ek claimed many other developers feel the same way, but do not want to upset Apple by speaking up. The EU is sure to tap into that silent base if the investigation does indeed go ahead as the FT claims.

Apple bit back at Spotify’s claims, but its response was more a rebuttal — or alternative angle — on those complaints. Apple did not directly address any of the demands that Spotify put forward, and those include alternative payment options (as offered in the Google Play store) and equal treatment for Apple apps and those from third-parties like Spotify.

The EU is gaining a reputation as a tough opponent that’s reining in U.S. tech giants.

Aside from its GDPR initiative, it has a history of taking action on apparent monopolies in tech.

Google fined €1.49 billion ($1.67 billion) in March of this year over antitrust violations in search ad brokering, for example. Google was fined a record $5 billion last year over Android abuses and there have been calls to look into breaking the search company up. Inevitably, Facebook has come under the spotlight for a series of privacy concerns, particularly around elections.

Pressure from the EU has already led to the social network introduce clear terms and conditions around its use of data for advertising, while it may also change its rules limiting overseas ad spending around EU elections following concern from Brussels.

Despite what some in the U.S. may think, the EU’s competition commissioner, Margrethe Vestager, has said publicly that she is against breaking companies up. Instead, Vestager has pledged to regulate data access.

“To break up a company, to break up private property would be very far-reaching and you would need to have a very strong case that it would produce better results for consumers in the marketplace than what you could do with more mainstream tools. We’re dealing with private property. Businesses that are built and invested in and become successful because of their innovation,” she said in an interview at SXSW earlier this year.

Read more: https://techcrunch.com/2019/05/06/eu-will-reportedly-investigate-apple/